Issue 1
It's been a long time coming.
would y'all read a bi-monthly publication that I write and put together all myself?
— ᴬᴸᴵᶜᴱ (@digipakd) 1 trillion years ago
Welcome to Issue 1 of WLN.Mag!
This is a kind of experimental blog format that I came up with while stoned a little while ago. Zines are cool but I'm an internet girlie and my scattershot interests and sporadic writing proclivities don't lend themselves well to zines. This is setting aside the lack of audience, printer, and distribution method. So I thought the best, and most fun compromise would be something like a digital magazine. Most of those are PDFs but here you can see I have a bit of a different approach instead opting to mimick 2-page spreads of a magazine on a web page to allow for easier viewing and embedding of elements.
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The format is dynamic,
making use of flexbox and @media
rules to detect screen sizes and turn off flexbox
on mobile devices.
So if you're on mobile then this will look more like a post you might have seen
previously on my blog.
That being said,
the intended reading experience is on desktop or any other widescreen device.
This month is going to be a bit of a smaller issue where I test out the format and try to tweak
things around.
For any questions, concerns, or desires to chat contact the site admin on discord at
@lurchstrafer
or email me at afwln909@gmail.com
with the subject line
prefix [AFWLN.MAG]
!
Fragazine
This is a segment that I like to call the fragazine. My frags in a magazine-like format. Something like skate parts that you used to be able to get with skateboarding magazines. I show off what I've been working on and talk about what the process was like putting it together.
This being the inaugural issue, I thought it would be interesting to try and put together something different from the usual.
I generally divide my videos into 3 categories: clip dumps, frag videos, and edits. Clip dumps are things that I throw together without too much thought purely for the sake of showcasing clips or putting them out their for posterity. A kind of "I hit this" marker. Frag videos are videos that are focused on frags and that I generally put a bit more effort into. Whatever makes it into a frag video is usually hand picked and represents some of the best of my current skill level. Then there are edits which I find are more easily defined by mission-statement. If clip dumps are there for efficient posterity and frags are there for polished showcases then edits are made to flex my creative muscles.
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Most edits I've made in the past are privated now but make no mistake I am a big fan of creative videos and frags. Even if it took me until covid to lock in and start fucking with AMVs. Just check out my "Music Videos" playlist on youtube . It started out as a place to put music videos I liked but then it turned into something of a respository for frags. These serve as my inspiration whenever I wanna put together a frag. I don't typically purposefully put one on to copy but sometimes I draw more inspiration from one than others.
Inspo
The main inspiration, "eternal summer" (2025, issue 36) by Doki.
I didn't take the term "fragazine" from Doki, idk how to prove this but like idk it's a pretty simple thing to come up with. just writing this here just in caseI've been known to enjoy a bit of arial text frags/edits but the thought of mixing in irl footage with frags hadn't previously ocurred to me. So, having recently watched The Dying Art of Call of Duty Montages by Whoovie , the seed for my frag vlog was born.
I mentioned earlier that the "main" inspiration was Doki's frag but there were quite a few other pieces of inspiration that I drew from.
First and foremost being one of my own frags. I remember getting done with this then watching the .ass subtitles video from f4mi and thinking "Shit! I should've done that with my video". Well now I had the ability to right my previous wrong and instead of baking in the subtitles, I was able to cobble some on my own using aegisub. The main thing I wanted to be able to do again was the 2 sets of text going on the screen at the same time with different colours which I was kind of able to do in my new video. Effie doesn't layer 2 tracks of her singing but she does do a fair bit of ad-libbing which I justified subtitling and moving those subs elsewhere on the screen.
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The original subtitle inspo though has to be
Something about the way the figure moves in this is so arresting and the misspells in the subtitles really did something for me when I first saw this. So much so that I tried to mimick it in an older, now private, edit of mine.
Then there are my two favourite edits of irl footage. Not that there is much competition since I don't watch a lot of those.
Both served as inspiration for me but Zure's probably inspired me the most. The feeling of a sort of story to the video, the layering of the footage, the quality of the video, and the aspect ratio were all things that I knew I wanted to try and build off of if I were to try and make something like this for myself. I remember when I first saw this I actually ended up following Zure on every platform just to see what they would work on next. They didn't disappoint and Scary by Björk is still one of my favourite songs today.
Frag
That about wraps it up for inspirations. So without any further ado, here's my frag:
The first thing that I want to talk about with regard to the video is the title. This being a really vulnerable kind of video to make, I wanted it to be pretty unsearchable. If you find it then it was meant to be or I asked you to look at it.
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Next thing I want to talk about is the footage. All of the irl footage and photographs were taken by me using my digital cameras. The quality varies pretty drastically due to a number of different factors that I discuss in my article about digital cameras you can find in this issue, but using a timeline with 1440x1080 resolution was a good medium to drag and drop both video game footage and camera media. With the exception of 2 collages, all of the image and video assembly was done in premiere on a single timeline. At one point I thought of trying to animate some of the images in lieu of putting in more videos but none of what I did really stuck. It looked a little too silly and uncanny for what I was trying to go for.
Trying to edit the gameplay was where things got really experimental. 코카콜라 is an unexpectedly fast song for what I was trying to edit. At several points in the video I do this thing where I play the first part of the clip on one part of the screen then continue it on another part of the screen but at a later point in the clip so that I can meet the timing interval I want. It makes for a trippy effect but it's kind of hard to manage once multiple clips get put on screen. Oddly enough, I feel like this is more suited to 16:9 or other widescreen resolutions but it kind of feels right to do it in a 4:3 video. I guess I kind of subconsciously associate 4:3 with experimentation and so excuse it there whereas with standard aspect ratios I'm less ammenable to it. Would be interested to hear your thoughts on this. It can make for a bit of an overwhelming experience for the viewer but I kind of like it? Not enough that I can't guarantee that I'm not gonna reuse some of these clips in another video if I feel like the edit got a little too messy.
That brings me to another topic, clip recycling. Me personally, I like the idea of "once it's posted it's done". Makes things simple, there's a sense of finality with each post, and you don't end up revisiting things infinitely. But when it comes to edits like this I like to try and give myself a bit of grace. Not every edit is going to be a winner and I want to encourage myself to use the clips even if I'm not super confident in it. There's also the issue of me sitting on too many clips. It's an issue, I don't even like most of them. small aside but like damn 𝒻𝓇𝑒𝒶𝓀shots was a throwaway but people really ate that shit up. Goes to show that I can never predict what people will like.
Editing was pretty rough. If I hadn't let this project consume my life for like 2 days straight then this easily could have taken a week's worth of healthy, normal work to get done. I mainly chock this up to my workflow and the lag.
My current setup for storing camera media is putting them into separate folders based on which camera they're from then in a numbered subfolder therein that denotes which dump they're a part of. This is fine and dandy for revisiting pictures and videos since I don't have to load all the media at once and it's a fun little arbitrary grouping in which to pilfer through old memories. This is fucking painful for trying to source media from like 6 some odd subfolders. So I would have to root around in my folders for a while everytime I wanted to add more to the timeline.
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And I just don't get that same lightning spark of "ooh these would look good together" when I can't actually see them next to one another. Seriously slows down the creative process. If I were to do this again then I'd probably look into some file explorer alternative that has flatview, the type of thing that pro photographers and camera people use for footage ingest. I'd be flying then for sure.
The worst part of it all though I think was the lag. Lag on preview, lag on scrub, and after a while I was even getting lag on the effect controls. Not much to comment on there, just fucking terrible to have to deal with even when premiere was the only thing open. Maybe I should try to learn vegas for real this time or go back to Davinci Resolve.
For the frag itself, I'm not really sure what to say. I guess the vibe I was going for was putting an aestheticized version of myself and my life out there in video form. Sounds vain when I put it that way but I think there's a lot of beautiful things in my life. That's something I tend to forget a lot and I think something like this is a good thing to have on hand. Something to remind myself that good things and beauty are in arm's reach for me even if things are feeling a bit bleak in the moment. There's a filmic quality to the compression lent by my digital cameras and the algorithms that chew up my video during rendering and upload. That compression leaves gaps to be filled in be it with the memories and notions of the viewer, be that myself or you, the reader (and hopefully I sure do hope you haven't gotten this far into an article about a video without having watched the video. viewer).
There are still some things I think I could do to improve the frag before putting it out but at this point I'm largely at peace with it. I'd rather take this time to learn from it than go back and endlessly polish it. So for next time:
-
do more planning ahead of time
- set aside media that I want to use so that I don't have to go digging around
- think about the video structure a bit more before starting
- look into different programs (vegas, flatview explorer, etc.)
- find more performance optimizations for premiere pro
-
improve aegisub workflow so I could do this with more songs
- This is part of the reason why I ended up using 코카콜라. It's the song that I taught myself aegisub with and so it's the song that I had readily available for use with this video concept. Obviously not the only reason why I used it, I like the song enough to make subtitles that are this detailed for it and to use it as the backdrop for a pretty personal project.
This is coming up on the limits of what I can say about this without revealing more than I'd like about myself to potential internet strangers. I'll leave the meaning behind the video and its decisions up to interpretation.
In the future I hope to make more, better, longer, and experimental frags. Not sure where exactly that journey will lead me but I hope that you'll be there with me to see where it leads.
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You( and Me) and Digital Cameras
So you want to get into digital cameras? Not big chunky DSLRs but the little point and shoots that you put on auto and just press the button. There are plenty of guides out there on how to get into the stuff so I'm not going for completeness here, just covering up the blind spots that I've seen in online discussion and throwing in a bit of my own opinions into the fray.
FAQ
Q: Should I get into digital cameras?/What is the appeal of old digital cameras?A:
The shooting experience and the look of the photos are generally my main takeaways from digital cameras.
The way that the white balance struggles to keep up with the environment, the odd colours that come in seemingly out of nowhere, the artifacting, and black level crushing combine to make a pretty interesting visual. Technically interesting and deeply nostalgic.
The shooting experience is pretty different too.
Unlike a phone, the camera can only do one thing. There's no distractions to the shooting or unlocking and opening the app. You really do just point and shoot with a lot of these faster digital cameras. What you get in speed on the front end though you lose on the back end with footage ingest. Even the fastest digital cameras will require you to pop out their card or use an app to get files off of them. Some people, myself included, like this kind of thing since you get to go back over all the photos you took since the last time you offloaded all the media. But if you want a fast and seamless experience from front to back then this probably isn't for you.
And unlike a DSLR or modern camera, you're a lot more limited in the settings you can tweak and accessories you can affix. It's a much more stripped back, dedicated photo shooting experience.
Not every camera is fast though. Some older cameras take a while to shoot, process, preview, and save photos or video which is something you should keep in mind if you get a model of camera from say before 2005. I have a camera from 1999 which takes this to another level. At one point I had the shot cycling time down to muscle memory and even then I still had to take care to stabilize for the limited autofocus. The older the camera, the more lockstep you have to move with it.
Q: What Camera should I get?A:
Depends on what you want. Everything past this point should have an "in general" affixed to it.
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There's no singular model of camera or series that I can point to and be like "yeah you should get that". It all really depends on what's a good deal for you.
If you want more artifacting then you probably want to get an older camera. I've found that pre-2005 gets the most artifacts while post-2010 generally has the easier shooting experience. 2005-2010 can get you in that sweet spot of fun artifacting and easy shooting.
Older cameras are slower as mentioned before but there is some other weirdness that comes along with the age. There were a lot of different competing storage media and connector standards, not to mention proprietary stuff that was only made by the companies that used it. Similar but different story for batteries, mostly proprietary but this time around you might want that since the alternative is usually AA batteries. The repairability, which is already pretty bad for these vintage digital cameras, also drops off a cliff with these older cameras.
Ain't even really that cheap anymore either after the social media boom lol. Get ready to read and research a lot.
Q: Where do I get them?A:
Anywhere you get secondhand goods though you'll have the best luck where you can find electronics
My best finds have been through e-bay though you may be able to find acceptable deals on other online secondhand markets.
The meta used to be getting cheap stuff off of boomers but it has since shifted. They've grown wise and vintage resalers have begun to join in the fray, as a result the prices are much higher than they used to be. I don't really have a lot of tips for this, you'll get a feel for who has some sense about these things and how to find them as you go on.
If you don't mind Japanese language locked devices and paying a bit more on shipping then Japanese e-bay sellers might be your best bet if you just want to quickly get a good copy of what you're looking for. The sellers there usually have pretty in-depth listings with plenty of pictures and videos so you can see if there's any damage to the device.
okay so how do I actually do this?
Here are my rough guides to getting a digital camera.
If you don't have a specific camera in mind then come up with a price range. Don't bother with f*cebook marketplace, just go straight to e-bay, plug in your price range, and search "digital camera". Scroll till you find something you like and that you can find writing for online. Do a shit ton of research on what you need to be able to use that camera and what the shooting experience is like. You should be able to answer the following questions by the time you're done.
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- how does it charge (battery pack vs plug-in vs AA/AAA batteries)?
- what storage media does it use?
- what is the shooting experience like?
- how good is auto-focus, auto mode, and programmable mode?
- how long does it take to cycle between shots?
- what kind of photos does it produce
- What resolution are the images?
- Does the sensor produce any artifacting (desired or otherwise)?
- is it hard to source anything required for the camera?
- ex. can you get your hands on the charger, storage media, and storage reader easily?
- are there any common problems with the camera?
- port and card slot covers may have flimsy joints, can you repair this and/or are you okay with just taping it shut?
- some companies have gone under or don't make the proprietary items needed for old devices, is there a good supply of old stock for you to source or are there any alternatives on the market?
If you do have a camera in mind then this is a lot easier. Do all the research obviously then cross reference prices across different sites. At this point it might be worthwhile to use something like f*cebook marketplace.
Tips
Shoot from the hip!
Being deliberate and learning composition and theory is great and all but it's hard to beat
gaining intuition.
Shoot whatever,
snap what's interesting,
even in passing,
even w/o consideration*.
You might find something interesting in a shot like that.
See what makes the shot work or not work for you then you can figure out how to replicate or avoid
what you saw in the shot.
*w/o consideration of its artistic merit.
Please do keep in mind that shooting people, personal property, and pets is generally not cool
if you don't get their permission first.
You can always delete later, you can't always go back. Since these are digital cameras, you basically have unlimited shots since you aren't burning through film.
Brace yourself!Some older cameras have poor autofocus and you won't always have a tripod. In those cases it can help to brace against a solid object like a street light or signpost.
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The settings might look a bit intimidating but a few quick googles or just plain trial and error will give you a pretty good understanding of how these settings work. Your bread and butter will probably be the ISO and exposure values so I recommend looking into those first.
Read your camera's manual on manualslib!You don't often get essential things like batteries or storage media with these used cameras, let alone the manual so manualslib is a good tool to keep in your back pocket.
Learn basic photo editingEditing colour levels or black levels and contrast with something like GIMP is a great way to try and salvage an image that came out too dark, bright, or with too much of a single colour making its way into the image. Even just cropping and rotation can help things a lot.
Set apart your faves!Copy them into a dedicated folder for later revisiting. You can even cateogrize them with a tag system.
My Experience
My first digital camera was an XP90 from Fujifilm. It was an interesting thing and waterproof but I was turned off by its toy-like appearance and cumbersome charging. I quickly stopped using it. I also might have recorded myself with it and felt a certain way about it. Call it the trans experience.
So there it sat in my drawer for the next
undisclosed
years untill I picked it up again.
Since last I touched the camera,
I had grown to appreciate photography.
I would take plenty of pictures on my phone and monkey around with the settings to try and make
something cool.
Around this time I remembered that old cameras are a thing.
I dug up my old polaroid camera and realized I had no film.
So I started using my XP90 and I... hated it. I thought it sucked. There were no interesting artifacting but the resolution wasn't high enough to justify using it over my phone camera. Even now I only really use it to record video since it's rugged and I would rather lose it than my actual cellphone.
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I might be a bit harsh on it but that's only because it was so easily blown out of the water by my Kodak Easyshare V1003. The absolutely diminutive resolution, artifacting, tactile feel of the buttons, the telescoping lens, the relatively sleek look. My favourite part for a while was the little bit-crushed, fake shutter and focus noises. So cute. The auto-focus alert sound sounded like it was from a video game or a small toy, the shutter sound reminded me of something I would use in a shitpost because of how long it was, and the power on chime was just adorable. There were also other sound packs loaded onto the camera with different themes. I kind of want to mod it with different sounds but I'm not sure how I could go about that.
A little while after I got a Fujifilm DX-10 after falling in love with a listing for it on f*cebook marketplace. It looked so neat, a cute chunky little thing. Instead of paying out the nose for a banged up copy on marketplace, I bought the camera with a memory card for $50+shipping on e-bay. I thought it was broken at first? Like after I bought some rechargeable batteries for it at W*lmart, it took a while to get used to how slow it was and develop an intuition for its cycle time. It's hella slow but the vibes are immaculate.
The continuous mode is a bit odd. The timing is a bit awkward and instead of taking 9 pictures it creates an image that's a 3x3 array of the pictures it took at a smaller resolution. It's very interesting and makes me wonder whether or not this was born of a technical limitation or if this was just how continuous shooting worked back in the day, writing to the same buffer with each shot. I had a lot of fun writing a python script to turn them into little gifs.


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My 4th and maybe final digital camera for a while is a Sony Cybershot DSC-T900. I got a Japanese copy since even with the shipping it was a better deal than anything domestic. I was in love with the mechanism and might enjoy it the most out of all my cameras as a result. The mechanism, the good video quality, and the lightning fast shooting in compact package makes it a winner.
I like all my cameras except the XP90 , especially the ones with artifacting. These days I almost never leave home without one tucked away in my pocket, ready to record some memories.
A big part of the appeal to these cameras is the lack of detail in the resulting image. Modern cameras are very literal in a sense, what you see is what you get in the image for the most part. These old cameras with their old sensors and monster compression produce something that's a bit more of an approximation. It's up to you to try and interpret what's going on. I talk about this in my Fragazine article earlier in this issue but it bears repeating here. You're left to fill in the gaps and it feels more personal in that sense. What kinds of faces are people making when you can't make them out? What lurks in the noisy shadows in the corners of your pictures? What kind of life do you imbue into the images that you keep? It makes the viewing experience a lot more personal and allows it to change with time as you change as a person.
Old Malls
Intro
Community centres are reflections of their community. Even in the age of the car, land and retail space in high foot traffic areas are highly valued. Whatever businesses or entities that stick around are undoubtedly important to at least some members of the community. While we might associate this with downtown properties, a similar statement can be made of spaces within a small mall or community centre. Pretty obvious but I bring this up because I find it interesting to look at small malls and community centres whenever I come across them.
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REDACTED
Centre
REDACTED
Centre, hereon referred to as "the centre" with capitalisation as deemed appropriate, is located on the edge of two towns.
Its neighbours are a car dealership,
a non-profit home improvement and donation center,
and a plaza of warehouse spaces with a select few having been turned into storefronts.
There is one (1) grade separated transit connection with rather abysmal frequency, scheduling, and interoperability with other transit connections.
Most who roam the area do so by car.
The roads are as wide as they are sprawling,
distending to a disgusting 5 or even 6 lanes at times with developments having parking to match the expected flows,
and yet it all remains empty.
The centre is neslted in the middle of all of this.
I would describe it as equal parts quaint and meagre,
a combination resulting in it being equal parts unassuming and unappealingly so but with an odd charm.
If that sentence reads like a mess, that's because it is and this is like your one chance to back out now before we get too crazy.
The Center owes much of its quaintness to its selection of storefronts, community entities, and structure as well as some of its other more superficial elements.
Description
From the outside, it's this plain, brown brick structure. Its precious few unshuttered and uncovered windows typically avail little if anything about the goings on therein. Most are instead covered by adverts and other posters put up by the business owners. Aside from the ocasional little business willing to show their storage or backrooms to the world, this place is pretty closed off from the outside. The entrances, like the windows, are framed with these red, sunbleached to a kind of orange, accent pieces and a welcome sign whose design has just the perfect amount of negative space to feel off-balanced, off-center, and awkward but still intentional. Inside is more of the same aesthetically, white walls and some faded yellows, white square tiles small enough to look busy and monotonous enough to be monotonous looking, recessed light fixtures of the fluorescent-tube-array-behind-a-diffuser-panel variety punching up the meagre lighting capabilities of the centre's small skylights.
The first thing I want to draw attention to on the inside with regard to the storefronts is the food court setup since I think it serves as a pretty good tone setter for the rest of the centre. The food court setup consists of a row of asian restaurants, some boba shops across in the cubicle style store lots, a low-b/high-c tier pizza chain across the way on the other side of the mall but still within a reasonable distance of the food court where if you're at the food court you'll probably still be considering it, a mini Filipino (seemingly redundant combination of words) grocer/snack shop in a similar position to the pizza chain, and a random hair salon between the food court and the pizza.
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The row of asian restaurants is, as you might expect of a place like this, fucking fire. They have the fucking stained up, sunbleached (even though we're inside which might make you think that these came from another location but no, to my knowledge these restaurants all originated here so I don't know why they're so sunbleached) , revised to hell and back using stickies and markers, war torn menus plastered all over the windows so as to not let any light in. Photography as unappetizing as it is amateurish for some 40 odd numbered chinese-american fusion food dishes ocassionally broken up by like 5 handwritten signs in English and Mandarin outlining the day's specials. Some of the shop names are a little hard to read, the neon signs are a bit uneven in their lighting and have this uncanny ability to shroud the adjacent normal embossed signs in shadow which makes them harder to read. There's like, this one specialty Filipino food place and a Japanese place that are a bit different. The Japanese place seems to be trying hard to use the aesthetics but seems to be in a similar state of disrepair to the others. The Filipino food place looks like it's trying to be a Sonic, no further comment, A+. Everything is cash only too, so don't even try it tax man, your fed powers don't work here.
side story: So I uh didn't have any fucking cash the first time I came around here so I went to go use the atm there. There was like just some random fruit slush sitting on top of the atm and a big flashing led sign above the atm saying "ATM". The interface was laggy and bizzare looking, the type of shit where you reasonably expect that you might have to call your bank later in the evening just to make sure things are alright and inevitably be charged some service fee at the end of the transaction.
It's great!
The boba is similarly pretty scuffed. Their battlescarred menus have a thick lamination layer at least but still just stuck haphazardly to walls and boards outside of their store space because yeah you can't exactly fit their boba operations inside of the cramped ass retail space they're locked into. The three competing boba shops all sell the same tofu dish and fish balls which I just love for them.
The pizza place is just about no one's first choice for pizza, low b-tier is pretty high praise for that joint. Nothing there is unique, it's got the same energy as like random ass pizza joints named Johno's Pizza or mf PIZZA TIME. The only other thing of note about it is that, like the boba shops, it too struggles to fit within its space!
The only places that seem to fit within their allotted space are the asian restaurants and the Filipino snack shop. I thought the place was unmanned for a little bit. But no. The owner was just behind the register.
"The storefronts are even better!" is what I would say if I could confidently vouch for them. They were all mostly closed for midday on a Saturday which doesn't bode well. I get that hobby stores are a bit of an unemployed energy type place but I don't think that means some random weekday like a Tuesday would be their peak hours.
Does that make sense? Am I switching tense in my writing?
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There are quite a few clothing stores with merchandise on racks just flowing out of their storefronts for people to peruse. The pieces range from bland to knock off to interesting but the quality across the board is pretty meh. 20:80 cotton-poly blends, fake chanel, fake kaws, fake coach, and plenty of fake designer slikscreens that were giving 0.25-ply public school certified toilet paper.
The aforementioned hobby stores, there being like 3, were all pretty cute from the outside looking in. Sunbleached 90s anime posters in the window, unlicensed super saiyan vegito on the sign, and various figures looking out like Toy Story characters looking out into the world.
The rest of the stuff strike me as more essential stores and entities. Furniture, appliances, law practices, tax services, tutoring services, dry cleaning, holiday decor, and office space. Just about everything you need in a short walk of each other.
Structure
Not wholly moving on from the contents, I want to discuss more about the structure of the place. It feels meagre in a way that I can't quite pin on any one single aspect.
The natural skylights are small and dim, requiring artficial lighting to bring it the rest of the way there but even with their combined efforts there's still many a dark spot within the centre. Many of the retail spaces are closed most days and a few are just left vacant with a hastily scrawled "for rent/lease" sign on the glass or in the plastic of the rolling door. The storefronts that are open seem to fit awkwardly in their spaces, ranging from the appliance store struggling to fill out its space to the clothing stores spilling out into the halls.
Some of the storefronts occupy a strange type of space located somewhere between a proper inline retail space as one would expect of a mall and a kiosk. If you're familiar with Markham's Pacific Mall then I'd liken it to the stores on the first floor except a bit closer to an inline. They're substantially larger and more built out with walls and a sort of forehead on which to place signage but still retain a sort of cramped feeling as these cubicles need to leave clearance for the second floor landing but have no ceiling.
The second floor is similarly limiting. Constructed as a figure 8 with a large landing in centre, the floor space surrounding the holes in the 8 is constricted in order to render the skylight more effective on the bottom floor. This decreased floor space makes shops on the second floor much less approachable and the area much less wanderable (totally a real word). The third floor looms above with no windows or open space to look above or below making the openings to the sky in the ceiling feel bare.
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Why Talk About This Place?
It's hard for me to place why exactly I find this place so charming.
In a way it reminds me of malls and similar centres that I grew up with and see others reminiscing about on the internet. There's a very real comfort that I derive from being within its walls and thinking back on it. An unearned sense of familiarity in its layout and aesthetics, an intimacy with its cold metal benches and diffused lights. I've been to so many places like it and despite having spent so little time there I can safely nestle it away in the same part of my memory as those places I've spent far more time with. In a sense I kind of treasure it all the same. Somewhere quiet and comfortable and that I find more than a bit nostalgic.
I also just like these sorts of anachronistic and decrepit feeling places. I'm no shiey or whatever but I'm a really big fan of going through buildings that have fallen into disuse, disrepair, or even outright abandonment. Seeing where people liked to go and where they liked to relax from the wear patterns of tiles and flaking on the metal benches. Sure it's not shiny and clean but the signs of human life get to persist in the absence of a dedicated maintenance crew.
I didn't mention it before because I wanted to mention it here but, there was this shop whose only products were a ton of burned DVDs in plastic sleeves, such a quintessentially pre-digital era institution. Physical media might have died and dvd players got turned into a feature for the home console but this place was still trucking along which I think adds to the anachronistic feeling
Redacted Mall
REDACTED
Mall,
hereon referred to as "the mall" with capitlisation as demed appropriate,
is in nowheresville suburbia's approximation of what a downtown might be in a strange alternate universe.
Nestled between the local college and combination casino and racetrack,
the mall's parking lot stays mostly empty these days similar to its neighbours in the upscale grocer, office supply shop, buffet, and other smaller businesses.
All the money seems to have dried up from the area,
drained into the combination casino racetrack whose long overgrown and undeveloped fields have seen new attention of late.
It appears that the owners of the land, seeing a lack of traffic to and in the area for their mall and casino realized that they needed to do something new. They needed to build another mall. But this time it's a more integrated part of the casino and not requiring a trek through 2 football field parking lots and crossing a 4x4 lane intersection by foot.
But we're not here to talk about that new development. Give it like 10 years for that one to die too and maybe I'll make a follow up post. We're here to talk about the original mall. And what a mall it is.
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Structure
The mall has a 2-floor, 3-armed design with massive skylights all throughout the space providing a majority of the lighting throughout the day. At the end of 2 of the arms are 2 floor department stores, one closed and one half-open. The remaining arm has a a movie theater on the first floor and the food court on the second. In the center of the mall is an open area with benches and a massive cicular skylight that many use to relax or to congregate around during mall events. By the center is the entrance to an indoor amusement park on the second floor with a smaller, till now unmentioned, arm on the first floor beneath it.
Interesting Sights
I guess the first thing worth addressing is the indoor amusement park. Back in its heyday it was a real sight to see. I remember it always being packed to the brim, all the rides running at full whack, the insane volume, and some incredibly expansive climbable structures for the children to run around in. At the I visited most recently I was high and didn't really want to see it in the state it most likely fell into since my last visit. Instead choosing to let its memory live untainted in my imagination, rides full of screaming children and happy families crowding into the ice cream shops and restaurant within.
All over the mall are posters showcasing plans for its redevelopment. Featuring a 3-part megatheatre, new condos, expansion of store spaces, a convention center space, and a standalone waterpark. It's clear to see that it will never happen. The posters, like the mall, are in a state of disrepair. The larger ones literally coming apart at the seams revealing their construction as several other smaller square posters on fabric pinned together. Exuding the same level of professionalism as three kids in a trench coat. Evidentally they've been up for a while and none of what was listed has come yet. Scanning the QR codes and looking at local articles, construction on this was meant to happen pretty soon after the posters were put up and results would start appearing as soon as 2020. Little did they know huh?
It kind of reminds me of those end of the world graffitis you would see in L4D2 or TLOU. Got a laugh out of me like those L4D2 ones.
Some of the shops are just funny. I'll show those now.
18
2 clock shops.
Sure, why not
You're eyes aren't deceiving you. That IS in fact Zellers in modern day. For the non-Canadians readers, Zellers was a discount department store chain that basically died in the 2010s. The few remaining stores that they owned were turned into liquidation centres for a different store owned by the parent company. After a while they seemed to just vanish from everywhere which makes this a shock to find. Then more recently they returned as a section inside of that different store. But now that different store is filing for some brankrupcy related thing so :/
19
Now for my favourite stores of the whole visit.
You can't make this shit up. Two of a kind was closed so I can only assume that after that failed they thought to open three of a kind. These 2 stores are right across from one another by the way. The kind of store layout I expect to see in an indie game as a joke but no it's just here in my city.
It was kind of a weird and surreal experience going through Three of a Kind. The shitty overhead speakers were blasting some electronic music, eurodance songs where you can kind of make out the english that they're trying to sing but it doesn't make any sense anyways so you just let the synths and vibes carry it. It's like listening to E-Rotic while high. Not a European radio station either by the way, it was a local station and the DJ just decided to put on his eurodance mix.
E-rotic type shit. I can't get any of their videos to embed because they're all age restricted. fucking love that band.
The stuff in there was mostly what you would expect. 20:80 cotton-poly-blah-blah-blah. Materials determine a lot and there were a lot of tags in there that read "85% polyester 10% rayon 5% elastaine" which translates to "100% plastic and 0% worth your time and money", not to mention the fact that a lot of the materials spread their material so thin that they made heroin chic look curvaceous. They had jeggings. Can you believe that? Jeggings in modern day. I hadn't seen jeggings in years but they had stacks of it. And lowkey there were some cute things somehow? There was a cropped and lined faux fur vest with a hood with kemonomimi ears on it. Plastic fantastic for sure but still interesting. There's also another section just dedicated to swimsuits whose lighting is seemingly just turbo-cooked.
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The most interesting pieces of clothing I found were on a mannequin however.

Truly one of the outfits of all time. The base outfit without the jacket and hat is kind of giving Velma Dinkley. Like Velma Dinkley in a brown mini pencil but definitely still Velma Dinkley. But then on top of it is a camo jacket and camo hat? Getting "this outdoor paintball shit gets serious" type of accessories to go with your cute Mystery Incorporated outfit. There's something so twisted about it, I love it. I would love to smoke weed in a thicket under an underpass or go to a shitty open decks show with whoever would be wearing this outfit.
I hope you'll still be down to read my future posts on fashion after that.

the hand
There are some pictures I can't post without basically doxxing myself so I'm just going to describe them here:
-
a shop whose name is just telling you to buy shit with the tagline "cheaper than cheap"
- it's all open boxes on pallets
- several closed stores that just have their eviction notices in the door still
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-
an open women's clothing store named "Society"
- They had a Stranger Things backpack in the window
- A closed store called "LITTLE GUYS HOME" with christmas trees in the window
To give you an idea of what the surroundings of the mall are like, I'll describe 2 nearby locations.
There used to be a home hardware and supplies store with an integrated autobody shop and gas station nearby. It always had plenty of business with people getting their cars serviced and refilling on gas. That place is boarded up now and the gas station area looks as though there was never anything there to begin with.
There is a former bank which is now blacked out and lacking any signage whatsoever. The windows have floor to ceiling blinds, any on-building signage has been removed, and the sign that used to show what was in the lot has been whited out. The thing is, that place is still used. In the morning when I passed by there was a truck, white van, and McLaren parked out front then when I came back through the area just a short while later the white van and McLaren were gone and replaced with a C3 Corvette. Money deals may still go on, but not through any banking facilities that's for sure. For real though, people probably just park there for free. Rich people in this area are not above free shit which is relatable ig.Combination KFC Taco Bell
Nestled in the corner of the food court next to the washrooms sat an abandoned combination KFC and Taco Bell. I don't remember much about the signage or surroundings aside. The inside was mostly empty, only the sink and a few tables remained. At least I thought so until I looked to the side at a wall that's normally hidden unless you get really close to the counter at the right angle.
My eyes went up the wall of hand washing instructional infographics, action plans, and schedules to see a whiteboard. It long outlasted it's frame, held still to the wall with duct tape. On the white board was some company slogan about working as a family. Surrounding the white board was something I didn't expect to see in a place like this. Group photos of holiday parties, random group outtings, and the odd candid of what looked to be their bosses in uniform at work, printed and placed lovingly around the border of the whiteboard and in the center where it prompted placement of a picture. Hand written notes addressed to one another saying their final goodbyes. A mini collage commemorating what was and wishing one another well one last time.
22
This wall,
their memories,
a thin Manila folder inside of another folder tucked away in a cabinet somewhere at REDACTED
Inc's office in REDACTED
,
and probably some files on a server somewhere are all that remains of this crew.
No one came back for these photos or these notes.
They were just left here,
perhaps forgotten or maybe left as a fleeting testament to their time spent working there.
A simple "we were here"
Reaching out through time and space to let me know. And now I do the same to you.
Me and the Mall
In truth, the mall is an old haunt of mine. I used to go there with my parents as a child and I have many a fond memory in its halls even though it's changed so much over the years to the point where it's near unrecognizable in some respects. I can still recall very vividly going to the amusement park, walking past the expensive ice cream shop I could never go to, the girls' clothing stores that always held a strange allure to me as a kid, the game store where I got my first ever figure (Artorias from Dark Souls), the theatre's beautiful mural and poster set up, the fast food burger place where whose chicken sandwiches I lost many baby teeth within, and all the stores that I never got to visit but wowed me every time I passed by.
I can't help but feel a bit forlorn and sorrowful about the place. Some of what I listed off is still there but most of it is gone. Covid did a number on the storeowners here and seeing it empty like this is just tragic, akin to seeing someone you once knew laid out on a hospital bed sick as a dog. Or well, I wouldn't say I'm that torn up about it but it's a sad thing to behold regardless.
I think, to some greater or lesser extent, every time I go to a mall I try to recapture a bit of what I first experienced here. And to see it gone like this is like losing a record of what once was.
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Get Real
Time to get real here.
I'm a firm believer of the idea that even in the digital age, where we're more well equpped than ever to learn about and connect with just about anyone with an internet connection, many have only really grown more isolated. That, while it's understandable that when presented with the opportunity to connect with others online that some among us would prefer to connect in that fashion and thus the in-person connections may lessen as more time is devoted to the online, many of us have failed even that resulting in isolation even within our digital vicinities. The supposed ease of connection online has become an excuse to sever a connection in person but its benefits are often not fully realized.
I'm no luddite. my hobbies, interests, and career path all hinge on technology and I believe we're generally better for its introduction. I only bring this up to show how even if the deck is stacked in our favour technologically (which I'd argue that it really isn't anymore due to mass privitization and centralization), that the other factors effecting loneliness and isolation are so much more powerful than our much beloved and "all-powerful" "information super highway".
Regardless, I come to lament how we've let our physical spaces for comingling and just plain existing without expectation atrophy like this. And the kind of apathy that people express when this is brought up.
I get it though, modern life has everyone down. The average person has seen their workloads rise, paid work hours go down, and wages stay stagnant amid skyrocketing inflation. Even those who are doing well for themselves are still locked into their daily, inflexibly scheduled grind that isolates them from anyone who has a different job scheduling from their own. Lately it seems that no one is safe from job insecurity either, lifelong careers and decades of toeing the company line only to be let go in the next round of layoffs. To top it all off, so often we end up pitted against each other to compete for scraps from the top, a zero sum game where we all only stand to lose by participating but what else can we do.
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And yet, places like these still exist. Places where I can look around and see how people live. It's unassuming and meagre for sure but the more I look around the more I realize that there is still life to be found in these halls. I see it in the community bulletins with half the phone numbers torn away. It's in the elderly taking their grandchildren around the mall for a weekend stroll away from the heat. People with $10 and an empty stomach grabbing something quick to eat on the way back to work. Older guys popping into businesses to chat with the receptionists and owners before continuing on their walk around the centre. There's that sense of decay underlying it all with some of the outdated and unmaintained superficial aspects as well as with the overabundance of old people, but it's not like I can't imagine young people coming around to hit up the hobby shops, getting clothes, drinking boba, and grabbing some random movie to take home. Community persists.
Amid the endless asphalt and in-and-out car oriented development, places built to a human scale slip through the cracks and exist despite it. A mighty weed standing proud in the sidewalk. Faint signs of life in an area otherwise devoid of it.
Recent visions of the apocalypse, most recently inspired by nature's healing amid the covid-19 pandemic and subsequent lockdowns though it is worth noting that speculative fiction has been on this wave for a good while now and an earlier spike in interest in this particular image of the apocalypse can be traced back to anxieties regarding climate change and the ensuing climate crisis though this topic is nuanced the recency I refer to in my use above is subject to interpretation also thanks for reading this far, see a world overgrown and taken back by nature. Many a colossus of steel and concrete and glass brought to its knees by roots and vine and moss and fungi. Where there was once a scant few weeds growing in the pavement there is now nary a sight of asphalt in the ocean of native green ground covering.
I hope for a future like that. NOT apocalyptic or world ending but one where these kinds of places are everywhere. Places to live and to exist within.
Maybe this is a bit much, thinking about the end of the world and the state of the society after going to some low foot traffic retail spaces.
But I think it's worth thinking about.
- the learning experience of putting this together and my future workflow
- what can be expected in the future.
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The Future
I'm going to get a lot of the housekeeping out of the way here first. Blog posts might still go up whenever I feel like it or don't really feel like putting them into the WLN.MAG format. For example, the Old Malls article was originally supposed to be a standalone blog post but I wanted to test the limits of this format in terms of article length. In my original tweet I said that this would be a bi-monthly publication which sounds feasible but I might shift to a quarterly release schedule since I think I'm going to get really busy in the near future.
As for what you can expect in the future, I don't want to over or under promise anything.
As far as length goes, I want to say 4-5 shorter articles around the length of Fragazine or You( and Me) and Digital Cameras per release since that seems pretty feasible for me to write in the span of 2 or 3 months. But part of me kind of feels like that's a bit small, I don't want to disappoint any readers if none of my articles stick for them and I also don't want to accidentally put out a shit ton one quarter then nothing in another. But then another part of me thinks that I might not be able to do it so idk. It's hard to say really.
As far as subject matter goes, you know me. Lots of gaming and tech. Although I do have a few ideas for different serials. There's obviously the Fragazine serial I started here but I'm also thinking of starting up Wonderland Picture Show to show off pictures and compositions I make, an aiming serial to talk about aiming, a fashion centered serial, a mini-series about dense levels in video games, and a media recommendation serial. Then there are the myriad standalone articles that I want to write about one-off topics like math or markdown.
I also want to write a bit of fiction but I'm not sure if any of that will ever make it into this magazine.
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Putting this together was quite the learning
and re-learning
experience.
My style of writing and thoughts to formatting didn't change too much in the move to this format.
Good that there were no hiccups but bad that I didn't really take advantage of what this new
format has to offer.
In the future I could try gunning for like 2-page spreads or something.
Funny enough,
I was trapped by my own Js
rules for how the spreads worked and forgot that I could
just pop the hood on my own code and do as I please.
In writing and rewriting these articles for the format I relearned that writing in straight
html
really just ain't it.
Doing it in plaintext or even markdown beforehand then adapting it to the format would've been
much better and was actually how I wrote blog posts previously.
Oh well,
you live and you learn or remember in this case I guess.
Having dove back into css and html a bit for this project,
I really want to put more effort into customizing things.
Different spreads/pages might have different css rules for example so that I can customize certain parts of the magazine more.
Okay so I just went ahead and did that and it's really fun and cool.
I'm also thinking about using the scrolling feature within pages more intentionally.
I previously only implemented it to ensure all the content is readable but it's kind of interesting especially if it's a horizontal scroll.
Something to look into.
That just about does it for our inaugural issue. Thank you so much for reading till the end! I hope you enjoyed reading it as much as I enjoyed putting it together. Stay tuned for more.